“Postman Cheval should flip in his grave!” His ideally suited palace is as necessary as Lascaux or the pyramids. » Collector Antoine de Galbert loves up to date artwork, and he proved it at size when he created the La Maison rouge in Paris, however for him, Jean-Michel Othoniel’s set up within the Hauterives (Drom) is sacrilege.
On the invitation of Frédéric Legros, website supervisor, Othonel’s stained glass sculptures dialogue with Ferdinand Cheval’s Preferrred Palace, who additionally geared up the home windows with stained glass of his personal design. Not forgetting to hold his preparatory drawings and installations within the adjoining house designated for short-term exhibitions. Antoine de Galbert isn’t the one one who’s shocked by this: most followers of brutal artwork vehemently condemn this intrusion into the temple.
Jean-Michel O’Thonel defends himself in opposition to any intrusion by saying that he desires to observe the well-known postman’s dream: when he had guests (the doorway was already loaded and, as an excellent postman, he was promoting them postcards!), on Sunday he pressured his maid, Julie Atchard – I complained about that – having to hold buckets to the highest of the tallest tower in an effort to irrigate the fountains he designed however the place there is no such thing as a working water.
a type of naivety
Oth’Neill additionally has an extended historical past with this place: his mother and father, who lived in Saint-Étienne, the place he was born in 1964, commonly vacationed close by, and his mom, a instructor, was on the forefront. The day is named the place “My mom’s palace”. Little Jean-Michel, age 6, was rubbing his shoulders with artwork on this setting, actually as a result of the galleries designed by Postman Cheval are cramped. Sadly, we found the place a lot later, however it’s straightforward to grasp what such a spot might spark in a baby’s creativeness.
The artist defends himself from any intrusion by saying that he desires to observe the well-known postman’s dream
He returned there within the Eighties with photographer and director Clovis Prevost (writer of a brief movie Cheval issue: the place the dream turns into actuality), certainly one of his lecturers on the artwork faculty of Cergy Pontoise, with whom he made a film, orange really feel, In 1988, which is proven within the showroom. There they met and interviewed many distinctive artists, supporters of brutal artwork in a nutshell. This was a very long time earlier than this motion grew to become modern and located the keepers of its temple. Among the many artists of his era, Oth’Neill is undoubtedly a kind of who know this surroundings greatest. And if some see a type of naivety or modernity in his work, regardless of how refined, then maybe that is the explanation.
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